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I'm a humble chef, however, I'm going to try to properly formulate my thoughts in regards to the film, because it's very dear to my heart.

If a person by using a revolver gets away from the train inside the prologue of Sergio Leone's film, then he has to have something to say. The silent wanderer looks after a bitter story deep in her heart, his secret weighs heavily on his soul. However, even being sentimental in moments of relative solitude, the traveler is decisive, and in the eyes you will notice the fad that has accumulated within the years. He's not who he seems. The wanderer's name is Douglas Mortimer, a former military man now a bounty hunter. If viewers of the film listen towards words of an flabby old man chained to the bed (a funny grandpa appears closer on the core film), they are going to learn that the trains, these damned and noisy objects, are accountable for everything. Alas, but earthly hardships are certainly not limited by trains and Douglas Mortimer is well aware of this, his problem contains bones, flesh and blood. The, played by Lee Van Cleef, cherishes the soul with thoughts of revenge, but not merely revenge is in the middle of your plot of Sergio Leone's brainchild, because beyond the retired colonel, there is another hero from the film. Fast, accurate, discreet, another bounty hunter. At the least curious, but at most wildly interesting, especially when the “one-armed” shooter is played by Bruce Lee in the realm of Westerns - Clint Eastwood. You can guess that the paths of Mortimer as well as nameless shooter will cross on the planet from the wild west. The spaghetti is definitely inside pot.

In A Few Dollars More, phrases just like “in ten mins you will end up smoking in hell” or “you'll need a new sheriff” are inevitable. The hero of Clint Eastwood is shown for a shooter whose abilities can be relevant inside of a sci-fi novel, but that is alleged is not attributed towards the disadvantages with the narrative. Even the most absurd moments inside Western genre and underneath the skillful direction of Sergio Leone become salt for spaghetti, and the storyline from the partnership between One-Handed and Colonel Mortimer tenaciously keeps viewers with the screens, which are in all likelihood visited by such thoughts: ¬¬ “I ponder what could happen further? Will One-Armed and Colonel Mortimer find mutual understanding? ” “A few bucks more” - shootings, chases, music of time, personifying the approaching of death, here satire, along with foolishness, lives alongside with drama and ironically interpreted religious motives. And, finally, the storyplot shown by Sergio Leone is the archetype of assorted paintings, where partnerships flow into friendship, though into some sort of friendship, in this particular friendship a buddy can shoot an associate from the neck to ensure he is not killed because of the thugs of the final boss. The fireplace is burning beneath the pan. The spaghetti starts to boil.

Sergio Leone's tape is indeed a classic from the genre, and that is easy to understand by the noise of bullets fired by the heroes, bank robberies along with the long glances that two shooters exchange prior to decisive shot, that shot that decides human destiny. The creators but not only highlight their creation (and they actually do it well), but additionally touch on burning topics in some installments of the film, not being afraid to scoff at corrupt politicians and cunning businessmen, using original script moves. On top of that, it is actually in excess of interesting to see a number of Clint Eastwood and Lee Van Cleef - the heroes of the previous and new generation of westerns who, being in photographs of Manco (One-armed) and Colonel Mortimer, now and continue to prove something to one another, competing while in the possession of a revolver and doing of sieve hats. Hmm, something's heating up in the kitchen space, phew, you need to serve spaghetti within the table. Winnie, your attendees are waiting, hurry up, they can be hungry and now taste Leone's signature spaghetti. It's tricky on an expressive chef to find the best helper these days. Spaghetti is served, but wait a few minutes, dear guests.

Undoubtedly, Sergio Leone within his “A Few Dollars More” demonstrates to everything about cinema the lion's share of his talent and professionalism, and the picture itself can be viewed hypertrophied dominating before the primary film of your trilogy, which attracted a person's eye from the expressive Akira Kurosawa. Several years later, Leone's brainchild tries to please a wide range of people, and also the film succeeds: those viewers who crave a dramatic story comprehend it, people that love shooting and duels are satisfied, and connoisseurs of satirical humor might be satisfied after watching. Are you aware that music, you may speak briefly - Ennio Morricone. Dear listeners, perhaps My business is too excited, that produces my thoughts a little confused, but when you watch a great film of my fellow countryman car should be done, you may be convinced of the correctness of my words. However, I can't hide my bias, I actually love the stories concerning the shooters from the wild west, where there are two contrasting bounty hunters chasing a similar victim, yet not the exact same motives. Oh, I almost forgot, season with spaghetti sauce and garnish with basil. Looks pretty good. Enjoy your meal!

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